The main device is a cube. This inorganic form is brought to life by the uninterrupted sequence of video mapping projections that accompanies the 50-minute duration of the action.
A perfect, saturated and colored rainbow is the first printed image that, in the course of the performance, is transformed and unveiled, revealing its composition and leading the dramaturgy.
The text enters into a dialectic with the structure of repetition, where by trying to hide the depth of what is most sincere in existence, it ends up scattering, emptying, or underlining the reality of these personas in the eyes of the audience.
By choosing to talk only about the weather, skin, food, or plants in a superficial way, the dramaturgy brings to the discussion what is between the lines. It is the saturation of commonplace phrases in constant repetition to provoke movement.
And the three performers that inhabit the cube establish with their vocal and physical actions, in an extremely synchronized manner with the electroacoustic music and the projection shots, the passage of time and the mechanism of repetition of actions, effects, and situations.
In front of this work, the spectator is led to a visual, sensorial, affective, and psychoanalytic experience.
I'm sorry, but I don't feel that good anymore.
_ Not very well.
_ It's the same.
_ The same.
_ Now, it's different.
_ I don't know, it's just different…